Requiem aeternam (Anerio, Felice) Work Title, Requiem aeternam. Alternative. Title Some WorldCat sources give the title of this as “Missa pro defunctis”. Felice Anerio wrote the motet, but the centrepiece of this disc is the fine requiem mass by his younger brother Giovanni Francesco Anerio. Giovanni Francesco. Giovanni Francesco Anerio spent most of his life in Rome. Of course in this Missa pro Defunctis, Anerio made widespread use of the plainchant in a variety of.

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Missa pro Defunctis (Anerio, Giovanni Francesco)

The text of the Antiphon is among others found in Monza, Chapter Rqeuiem cod. Salve regina ist die Marianische Antiphon, die zum Schluss der Komplet beziehungsweise der Vesper zwischen Pfingsten und Advent gesungen wird.

Requiem for SATB choir. A smaller part is written in a modest polyphonically way. Salve regina is the Marian antiphon sung at the end of Compline or Vespers between Pentecost and Requuem.

Anerio Requiem CDH [RH]: Classical CD Reviews- May MusicWeb-International

What accounts for the popularity of amerio and a handful of similar pieces by other composers from the period? Late Renaissance Musical form: Vidi speciosam sets a text from the Song of Songs, a source of erotic verse which, because of its biblical pedigree, was a safe and therefore popular quarry rfquiem late sixteenth-century composers. Unidentified Publishern. Missa pro defunctis cum sequentia et respons. Service at various Roman churches followed, including spells as maestro at the Spanish Santa Maria di Monserrato and the English College, before naerio was appointed composer to the Papal Chapel on the death of Palestrina in This is the gate of the Lord: Anerio’s church music illustrates the transition from a Palestrinian idiom as in the fine requiem mass to the concertato manner pioneered by Viadana.

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The strophe with the odd numbers will be performed uni sono with the Plainchant. Grove’s dictionary of music and musicians. Each of these composers was an individual and, while much of their music did continue to develop the style of the later Palestrina, they also began to explore the new ground opened up, for example, by the advent of the basso continuo.

Requiem aeternam (Anerio, Felice) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Open to me the gates of justice: Libera me, Domine de morte In Absolutione: Scores Anerio, Giovanni Francesco Renaissance style Baroque Masses Religious works For 4 voices For unaccompanied voices Scores featuring the voice Scores featuring the soprano voice Scores featuring the alto voice Scores featuring the tenor voice Scores featuring the bass voice Latin language Pages with commercial recordings Pages with commercial recordings Naxos collection Pages with commercial recordings BnF collection.

The verses are divided between the choirs, with important words and phrases being highlighted by antiphonal exchange, by the use of eight voices together, or by changes in texture from homophony to polyphony or vice versa. Most of the movements are written for four voices SATB. I will go in to them, and give praise to the Lord.

He was born in Rome in about and, after a musical education, took minor orders. Zu Beginn des ersten Jahrzehnts des This movement, describing the Last Judgement, is the centrepiece of the work and Anerio takes every opportunity to match his music to the words: This is certainly true of the Anerio brothers, Felice and Giovanni Francesco, born in the s into a Roman musical family—their father, Maurizio, was a trombone player—and the music presented here, some of it being heard for the first time since reqyiem seventeenth century, should help make listeners aware of the riches waiting to be discovered in the works of these composers.

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This Aperite mihi portas is set for four equal voices TTBB and is fully written in a homophonic style, with some polyphonic elements but contrary to the setting of Givovanni Dragoni this setting by Anerio is very lively, there is some joyful sphere in it. Der Choral durchzieht das gesamte Werk, sowohl als Cantus firmus als auch als Paraphrase, oft jedoch auf sehr subtile Art und Weise.

Requiem aeternam Kyrie Christe Kyrie Sequentia: It contrasts a high choir with a low one, something unusual in Roman double-choir music. Originally issued on CDA Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the anerko. Jahrhunderts sehr beliebt war. Some WorldCat sources give the title of this as “Missa pro defunctis”.

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