Listening – Sacrificing – Representing – Repeating – Composing – The politics of silence and sound, by Susan McClary. Noise has ratings and 38 reviews. Ben said: In sum, the history of music should be rewritten as a political effort to channel violence through noise. Argues that music does not reflect society; it foreshadows new social formations. Noise. The Political Economy of Music. •. Author: Jacques Attali.

Author: Malakinos Mikagrel
Country: Montserrat
Language: English (Spanish)
Genre: Travel
Published (Last): 13 May 2008
Pages: 109
PDF File Size: 13.51 Mb
ePub File Size: 4.53 Mb
ISBN: 346-1-28359-971-2
Downloads: 48946
Price: Free* [*Free Regsitration Required]
Uploader: Shakadal

In Brueghel’s painting, repeating is symbolized by the four figures playing catch with the pottery. Search Site only in current section. The Rest Is Noise: The use-value of spectacle involves parallel developments of music. Value is now dependent on an artificial differentiation produced by the hit parade system to confer temporary difference relative value. Music is a channelization of noise and a simulacrum of sacrifice, a sublimation to create order and political integration.

If you’re interested in music, or maybe about, don’t laugh, the meaning of life in general, this text is a total eye-opener.

The only possible challenge to repetitive power takes the route of a breach in social repetition and the control of noisemaking. In Brueghel’s painting, composing is symbolized by the ring dance.

Noise: The Political Economy of Music – Jacques Attali – Google Books

It’s a bit convoluted at times, but does have a lot of interesting historical digressions, npise about the history of copyright law in France yes, I’m a nerd. Aug 30, Michael rated it it was ok. When Attali is focused on the political economy of nineteenth and twentieth century music, he does offer fresh insight into the economic thw of music.


English Choose a language for shopping. In April he became the first President of the London-based European Bank for Reconstruction and Development, the financial institution established by western governments to oc the countries of eastern and central Europe and the former Soviet Union in their transition to democratic market economies. By training he is an economist, and he worked as a finance minister under Mitterand.

The consumer buys it with time and then expends additional time in listening use-time. It is undertaken solely for the pleasure of the person who does it its “producer”. As jadques consequence, we end up with the second factor undermining the book, a series of unsubstantiated generalizations such as music is ritualized human sacrifice.

Classical Net Review – Attali – Noise: The Political Economy of Music

Rethinking and Renewal Vincent Mosco No preview available – Home Current Catalogs Blog. Lists with This Book. This new activity is NOT undertaken for its exchange or use value.

If you don’t like to read books that use complex sentences and multi-syllabic words, you should not be in econmoy education in the first place. Specifically, music is said by Attali to have been first created as a way to commit symbolic violence against the other, to preempt the need for ritual murder which in “ancient” societies was the act that identified a scapegoat, an other, thereby giving everyone else a sense of tribal in-ness.

Refresh and try again.

Jacques Attali. Noise: The Political Economy of Music.

noiae I’ve read at least five of his numerous books, more than once. One use-value the event of musical performance is exchanged with another use-value food, clothing, etc.


Thus, Attali is looking forward to a radically changed society in which all activity is free from wconomy rigid molds of capitalism. Discover Prime Book Box for Kids. To achieve this, he draws on an approach heavily influenced by Theodor Adorno and Critical Theory. More importantly, according to Attali, this process of stockpiling removes the social and political power from music.

Music must become a commodity, produced to be exchanged for money. Timeless relevant, which is good news, given that it’s well over 30 years old. First, as a materialist history of music, the book takes in a much too broad aesthetic category over qttali too large period of time.

Repeating refers to the politicaal of recorded and broadcast sound—roughly AD-present. Although the new order is not contained in the structure of the old, it is nonetheless not a product of chance. Aug 16, Tiny Pants rated it liked it Shelves: At bottom of the detail, the rich man gives money to the poor beggars, bribing them from participation in festival.

These represent “two antagonistic cultural and ideological organizations. I just don’t look at things the same way as I did before I read it.

See and discover other items: Alexa Actionable Analytics for the Web.